I once wrote a post suggesting that writers should think of their writing as music, but what happens when someone takes this seriously? What would happen if we actually sounded out punctuation marks when we spoke, for instance? Well . . . we would then be using what Victor Borge aptly calls phonetic punctuation. Though he approaches the idea with humor, it’s worth noting that, in addition to being a comedian, Mr. Borge was also a conductor and a pianist. It’s probably fair to say that he understood punctuation in ways many writers do not.
Punctuation is a tricky thing. All those marks decorating the page, silent and unavoidable in our writing. Yet, those marks — which have no actual phonetic transcription, no sound (minus Victor Borge’s interpretation) — are the rhythmic backbones of words. How is that?
When you use punctuation in your stories, you are transcribing…
View original post 200 more words